These lines, in particular, echo deep within:

The subject is our wildness, to me, the terrain of the heart. It’s such a wonderful transition from the activity of poses to the coolness, winding down and turning inward of relaxation. And even though I have heard that song at least a dozen times, it always catches me … in knowing. It helped me remember something I wrote as a pre-teen, about the age of my youngest daughter. I penned these lines:

It was a somber piece about living in isolation, then I translated it as the Steppes of Siberia. I am coming to understand it was about my wrestling with growing up, keeping part of myself and letting others go.

A month ago, while deep in pastoral counseling, my shaman asked me to remember/visualize when I first felt less than. The image of a pre-teen girl in a fetal position immediately flashed in my mind. It quickly shifted from me to my youngest daughter and my heart sank. I know she is in the same place. Shunning the physical, psychological and emotional changes stirring. My heart aches for her as it does my inner pre-teen: the one lost, confused and feeling isolated.

This week in my monthly archetypal-astrology group, we discussed the drama of opposites with regard to astrological aspects, the angular relationships between the planets, and from a Jungian perspective. A handout carefully prepared by our teacher, discussed that “ego development requires that we reject even essential parts of what makes us whole; and this is what becomes the shadow … the road to wholeness is rough and bumpy … but we continually seek that which we have unconsciously discarded.”

I wonder what I discarded in that fetal position as a pre-teen and what my daughter intends to shed?

Two nights ago, I had an interesting dream; I haven’t remembered dreaming in months:

When I first looked at this dream, I felt betrayed, as if my family tricked me into this journey. But when I explored it again, it seems as if this line of living women in my family is waiting to cross the creek into the cabin of the ancestral women who have come before. The ones waiting at the car are, well, waiting. My mother has tried and my sister has brought me here. I think it’s my turn, my work. I notice my other sister who has a son is absent as is my youngest. They aren’t part of this yet. I believe that my sleeping on the train is a key to how to get past the gatekeeper/shop owner, cross the creek and get us into the cabin.

To do so, I must traverse the terrain of the heart and retrieve my discarded parts. The song “Strength of a Rose” by Deva and Miten Premal describes that journey. Rose is my maiden name; Rosie is my nickname.

http://www.youtube.com/watch?v=QuoQQsHUmZE  

• How have I experienced the terrain of my heart?

• When have I felt isolated?

• What parts of myself have I discarded?

• When have I also felt connected?

• What is my current calling toward wholeness?